Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film "Les Mystères du Château de Dé", the decor of which was the Villa Noailles, built by Mallet-Stevens. Pedraglio's text was then displaced since the artist attributed it to her own photographs taken on the rue Mallet-Stevens in Paris. A percussionist gave a audio response to the film during the opening at the Halle für Kunst in  Lüneburg, in 2010. His reaction was then edited into the film. Thus the artist articulated several subjectivities to which we add our own. Light is a major protagonist in her work. Photography is envisaged from an uncertain point of view in terms of its usage, like live matter, formless, malleable and modular. With no title or date, the images express chance and thrilling juxtapositions. Although the darkroom remains the photographer's tool, Charlotte Moth deals with the image as a sculptor. Through the image, architecture, citation and decor become dematerialized or materialized sculpture.