Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace. But on another level, Untitled 3’s steady rhythm seems to constitute an alternate way of measuring time, an idea explored in other works in the Kadist Collection, like Mungo Thomson’s Untitled (TIME), Geoffrey Farmer’s Ongoing Time Stabbed with a Dagger, and William E. Jones’s Killed, in which the rapid succession of images also points towards the passing of time in the historical sense.