White Corner (2006) is a video installation, projected on two protruding perpendicular walls. On one level the work constitutes a self-portrait of the artist, whose image is projected on both walls, separated by the corner. Yet while facing, they don’t quite confront each other. The projection on the left hand presents Arrechea wielding a machete, while on the right he holds a baseball bat. Together, the artist appears to be unwittingly attacking himself, a poignant comment on blind fear and the failure to recognize the similarity in the “otherness.”