Adrian Melis’s work is committed to presenting the range of intensity and nuance of human energy embodied through acts of resistance, resilience, and productivity. From industrial working bodies to voting, social, or political powers in places like Cuba and Europe, the shifting international frameworks of socioeconomic circumstances and other issues affecting the human condition are some of the driving forces behind Melis’s often absurd or ironic methods of making. Through simple gestures and acts of appropriation, Melis challenges generally accepted theories of work, power, and productivity with ideas of remembering, rest, celebration, and other traditionally “non-productive” actions. Melis draws from issues of unemployment, bureaucratic inefficiency, corporate as well as political corruption as he creates mechanisms in which third parties’ experiences and stories are integrated in the production or execution of his work. His works take the form of photography, video and installations. His methodology instills within works ironic and absurd qualities, meanwhile allowing for elements of absence, either formal or symbolic to manifest. Inspired by the lack of motivation and productivity in Cuba, Melis also experiments with creating feasible temporary employment opportunities both at home and in Europe.