Arin Rungjang’s practice is known to revisit historical and political narratives, both major and minor, as a means to consider the past, present and future. He often employs everyday objects as a device to open the work up to multiple perspectives and re-narrate histories from the context of today. With a practice involving multiple mediums, particularly video and site-specific installations, Rungjung’s work nimbly draws together remote instances to intersect and situate the lesser-known narratives of Thai history within the present-day.