Aung Ko works with painting, film, installation, and performance. As an artist, Aung Ko’s work is an ongoing commentary on modern Myanmar’s political and social contexts. Censorship, injustice, and power are themes he often explores. In 2007 he started an ongoing art project in his village titled Thuye’dan Village Art Project. The village’s primary source of income is charcoal production. The village is isolated, and because of the ammunition factory nearby, the inhabitants live in fear, while visitors and the public are generally forbidden. Aung Ko and his wife Nge Lay have invited artists to create performances, mobile sculptures, and other artworks collaborating with the village and its residents.