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Ayoung Kim

  • Ayoung Kim is interested in notions of crossings, transmissions, transnationals, trans-positions and reversibility. Kim’s work seeks possible integrations, articulations and collisions of things in between time, space, structure and syntax. In doing so, Kim adopts the devices of speculative storytelling, narrativity and rhetoric to evoke unfamiliar forms of reading, listening and thinking of the conditions of the world by focusing on unlikely encounters of ideas. The outcomes take the forms of video, voice, sonic fiction, image, diagram and text, and are exposed as exhi- bitions, performances, theater projects and publications. Recently, Kim has been endeavouring to graft the fictional and the historical together through distorting reality.

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Ayoung Kim

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Ayoung Kim is interested in notions of crossings, transmissions, transnationals, trans-positions and reversibility. Kim’s work seeks possible integrations, articulations and collisions of things in between time, space, structure and syntax. In doing so, Kim adopts the devices of speculative storytelling, narrativity and rhetoric to evoke unfamiliar forms of reading, listening and thinking of the conditions of the world by focusing on unlikely encounters of ideas. The outcomes take the forms of video, voice, sonic fiction, image, diagram and text, and are exposed as exhi- bitions, performances, theater projects and publications. Recently, Kim has been endeavouring to graft the fictional and the historical together through distorting reality.