Carmen Winant is one of the leading artists who exclusively uses found images in a photographic practice that takes the form of collages, sculptures, artist books, billboards, and wall installations. Her work expands the public dialogue on the representation of women in Western society. She uses pre-digital sources; hand-cutting images in instructional manuals of craft, childbirth, and utopian pamphlets from lesbian separatists, feminist collectives, and women liberation movements of the 20th century. These images highlight individual and collective acts, and ask: what binds and unbinds one from society? Winant examines and exposes the entrenched ideologies that circulate via these printed images, operating in and shaping the socio-political space that produces them. Using her increasingly public platform to situate herself as an artist who is also a public intellectual, Winant’s work explores the story of women’s liberation, and archival photographs of radical feminist histories that imagine other possible worlds. Winant’s work critically engages with normative depictions of heterosexuality, ‘natural’ births, and the domineering whiteness in the documentation of such imagery. Her practice reflects the racialized space of reproduction, both in birth and in images, addressing critical issues in society and the agency of image-sharing in contemporary life.