Carolina Fusilier

  • Caroline Fusilier’s paintings are dark, foreboding, and ominous. She uses an ancient medium to portray distant futures; conjuring images of post-human quantum realities. Fusilier also makes films exploring similar themes, some of which have appeared in international festivals, and there is a strong connection between the two mediums in her practice. In an interview in CULTURED magazine, she references Stanley Kubrick as a point of inspiration—her paintings are snapshots, stills from a storyboard, framed scenarios, sometimes close-ups. Employing a non-scientific approach, Fusilier’s painting builds its own mechanics, its own speculative systems of connections. For the artist, painting is synonym with technology, and she illustrates this conceit through traces that become wires and circuits, colors and lines that enter uncertain fields, turning into liquid, smoke or light.

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Carolina Fusilier

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Caroline Fusilier’s paintings are dark, foreboding, and ominous. She uses an ancient medium to portray distant futures; conjuring images of post-human quantum realities. Fusilier also makes films exploring similar themes, some of which have appeared in international festivals, and there is a strong connection between the two mediums in her practice. In an interview in CULTURED magazine, she references Stanley Kubrick as a point of inspiration—her paintings are snapshots, stills from a storyboard, framed scenarios, sometimes close-ups. Employing a non-scientific approach, Fusilier’s painting builds its own mechanics, its own speculative systems of connections. For the artist, painting is synonym with technology, and she illustrates this conceit through traces that become wires and circuits, colors and lines that enter uncertain fields, turning into liquid, smoke or light.