Welsh conceptual artist, sculptor, and filmmaker Cerith Wyn Evans’s work often deals with perception and systems of signification, seeking to rupture extant forms in favor of new, more imaginatively productive models. This can occur through textual interventions, the dismantling of space or temporality, and poly-vocal assemblages that seek multiplicity, opening outwards rather than closing into a singular understanding. His work revels in the unfixed nature of meanings and ideas, finding fluid potentialities and powerful metaphors for its audience to ponder.