Che Onejoon started working with photography in mandatory military service as an evidence photographer for the South Korean Combat Police recording different incidents for proof. Working with film, photographs, installations, and archives, Che’s research-based works deal with specific places of Korean society that connote the social and political changes that penetrate modern to contemporary history of the Korean peninsula. Studying the ruins of militarized modernity, Che presents the traces of erasures as sites of negation, disorder, and desertion.