Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday. Leung is generally concerned with aspects of photography that are not strictly visual and often considers the local population and sites in his photographic installations to reflect a deeper critical engagement with globalization and global consumerism. Working often with pinhole photography and mixed media while exploring cityscapes, Leung focuses on the emotional expressions of the urban man through figural portraiture. Specifically, his photography captures the identity and politics of Hong Kong after its return to China in relation to his photographed subjects.