Embarking from myriad audio-visual narratives, Chia-Wei Hsu pursues imaginative interrogations of cultural contact and colonization in Asia, oftentimes amalgamating his primary narratives with non-human actors including technologies, animals, gods, environments, traditions, and material objects. Bringing these diverse subjects together results in a bumpy ontological bleed between them, forming the topography of a historical geography without a straightforward objective position. By reinterrogating what histories and relations coexist within a given locale, Hsu’s work manifests new imaginative potentialities for their revitalization, an uncertain, profound terrain throughout his films and installations. While his work has consistently probed regulatory systems including religion, science, architecture, and military action, Hsu’s work has increasingly explored digital ontologies and the Internet of Things, in which previously luddite household objects have become connected to the internet. The digital, as a territorializing field produced by components largely manufactured in Asia, allows Hsu to attempt the detournement of western knowledge-bases to formulate new, imaginative archipelagos.