The multidisciplinary work of Daniel Otero Torres encompasses sculpture, installation, ceramic, drawing and other pictorial practice. The artist is interested in notions of resistance and revolution, as well as ecological concerns, which have become an indissociable element of contemporary activism. Otero Torres pays special attention to the harmful effects of exacerbated capitalism on biodiversity and Indigenous peoples, while questioning the links between nature and global politics. In his artistic practice, Otero Torres has developed a unique technique that explores the frontier between drawing and sculpture. Applying photorealism to monumental cut-out steel structures, the process creates a dislocation of materials and contexts.