Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects. The conceptual work of the artist employs various mediums necessary for each intervention; yet, performance, the idea of the game and the exchange with the public are central. The artist often uses newspapers, web pages, postcards as a means of exchange with his audience and memories of actions carried out around the world. The notion of time is important in the artist work – noting the influence of On Kawara – and the environment is apprehended as an interactive and virtual land art. His work, presented through modest media and exhibition, is poetic, generous not only in virtue but in practice – many works are freely downloadable on the web – with social resonance and great inventiveness