As a digital native, polymath performer and hyper-media poet, Eden Tinto Collins explores new and experimental forms of collaboration through networks of interdependence. Her work primarily takes the form of performance and experimental cinema. Her practice explores notions of networks and interdependence, the frictions between melancholy, mythology, post-trans, and cyber-humanity. She appears in several groups such as the Gystère live Gang, the Black(s) to the Future collective and Yoke, as well as in several film and performance projects (Liv Schulman's Le Goubernement, Ferdinand Coste's Méthylène, Malique Lee Moor's Keepin it real, Eine Romanz’s Alpha Ville Noir, Miles Greenberg's Late October). Collins also trained as a jazz singer at the 17th conservatory in Paris and developed an ensemble – oscillating between poetry, net art, performance and space opera.