Eduardo Navarro
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Eduardo Navarro explores possible points of convergence between art and science, allocating special attention to the possibility of dialogue between natural forces and species. The artist frequently works with collaborators from different fields, involving participation in order to investigate the effects of natural phenomena in the human experience, triggering new possibilities in our perception of the world's sensory experiences. Navarro’s performances and installations often rely on dancers and volunteers to be activated where either the viewer or the performers act as agents whose physical senses – tasting, hearing, seeing, feeling, and touching - conducts the direction of the work. Fascinated by our biological perceptions, his projects range from complex choreographies, sculptures and installations to edible drawings, focusing on the sensorial in order to approximate the observer and what is observed, hence “becoming” the subject study.
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Eduardo Navarro explores possible points of convergence between art and science, allocating special attention to the possibility of dialogue between natural forces and species. The artist frequently works with collaborators from different fields, involving participation in order to investigate the effects of natural phenomena in the human experience, triggering new possibilities in our perception of the world’s sensory experiences. Navarro’s performances and installations often rely on dancers and volunteers to be activated where either the viewer or the performers act as agents whose physical senses – tasting, hearing, seeing, feeling, and touching – conducts the direction of the work. Fascinated by our biological perceptions, his projects range from complex choreographies, sculptures and installations to edible drawings, focusing on the sensorial in order to approximate the observer and what is observed, hence “becoming” the subject study.