Erika Tan

  • Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices. Her current projects explore the discursive connections between the technology of cinematic green screen space to that of the museum and its technologies of dislocation (with particular focus on the colonial Museum in ‘Malaya’ and the repatriation of objects).

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Erika Tan

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Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices. Her current projects explore the discursive connections between the technology of cinematic green screen space to that of the museum and its technologies of dislocation (with particular focus on the colonial Museum in ‘Malaya’ and the repatriation of objects).