Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices. Her work starts from reviewing museum collections and objects, mainly using moving images with digital, Internet, and cinematic forms. Tan explores detailed facts and archival evidence with an anthropological approach to archival research, correlating history as expressed through artistic representations, embedding figures from the past into contemporary art context. Tan’s practice proposes the idea of digital repatriation of museum objects between Southeast Asia and Britain, the meaning of artist as a representative, and female roles from the British colonial period in contemporary contexts. By dislocating the subject and object from historical records, Tan’s work fills the gap in histories and bridges separate worlds.