Harit Srikhao perceives photography as a culturally determined medium. His practice aims to unveil the capacity of the photographic image to construct historical authority and serve as propaganda. Blending fiction and reality, he aims to interrogate systems of control through which people perceive themselves, others, and the world that surrounds them. He continually probes the role assigned to truth, particularly in the history of the construction of the nation, when governing forces interfere with religion, monarchy and army. These works underline the ambiguity between social and cultural discourses which surround photography in Thailand which are very distant from Western theories of artistic photography from the 1980s and 1990s. For him photography is a tool to shed light on facts which have not been exposed by documentary photography.