In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years. While her early work deployed the bureaucratic style and deadpan humor of much 1970s conceptualism, it has not had the same historical reception as many of her male peers. And because she did not embrace the activist postures or the socio-political concerns of feminist artists, Segalove’s has not until recently received appropriate critical attention.