The Seattle-based sculptor Jeffry Mitchell creates cartoonlike creatures from low-fire earthenware. Their sympathetic expressions and modest size, combined with Mitchell’s style of globular, additive assembly, makes them seem accessible and charming, as if they want to be held. They are reminiscent of characters from Peanuts or The Flintstones, but they also draw on art historical tropes as potent and ancient as sex and religion. Beneath their unassuming facades they harbor a generous heap of musing, tongue-in-cheek critique.