Jonas Bendiksen
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Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities. His first published book, titled Satellites - Photographs from the Fringes of the former Soviet Union (2006), looked at separatist republics in the former USSR. In 2005 Bendiksen started a project titled The Places We Live about a different type of enclave - the urban slum. This project became a three-year journey through four slum communities around the world. In 2008 it became a book and exhibition featuring projections and voice recordings in a three-dimensional installation. Bendiksen’s work also considers faith and religion, and its place in society. His book, The Last Testament (2017), is about people who claim to be the Second Coming of Christ.
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Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities. His first published book, titled Satellites – Photographs from the Fringes of the former Soviet Union (2006), looked at separatist republics in the former USSR. In 2005 Bendiksen started a project titled The Places We Live about a different type of enclave – the urban slum. This project became a three-year journey through four slum communities around the world. In 2008 it became a book and exhibition featuring projections and voice recordings in a three-dimensional installation. Bendiksen’s work also considers faith and religion, and its place in society. His book, The Last Testament (2017), is about people who claim to be the Second Coming of Christ.