Juliana Góngora describes herself as an observer of the moss between the bricks and the tiny powers. She works with primitive and organic materials: earth, salt, spider threads, sand grains, stones, glass and collects sculptural conditions: strength, subtlety, press, wait, suspend, moisten. As an artist, she calls for a material consciousness and asserts that as human beings we must begin to describe more our daily actions instead of exposing our power speeches. She investigates the use of the soil in traditional construction methods such as bahareque and the stepped wall. In an increasingly complex way, she brings such materials and techniques to sculptural exploration.