The work of Julien Creuzet reveals painful stories - both personal and political - making it impossible separate one from the other. Creuzet’s work places at the heart of its facilities the link between identities and economies, be it the transatlantic trajectories of the West Indians or those of the migrants of the South. He composes landscapes made of heterogeneous elements, mixing hurricanes of the Caribbean and the covered markets of the Parisian suburbs. Following Edouard Glissant, he operates a collective and subjective re-appropriation of an Antillean historical narrative, in the absence of cultural categories.