Julieta Gil
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Julieta Gil's artistic practice and approach hold great relevance in the current social and political context. Her work delves into the relationship between spatial and material memory through various media forms, providing insights into the ways in which collective narratives intersect with imposed ones. Her recent focus on documenting monuments as sites of memory offers a poignant commentary on the current moment of social and political activism, particularly in light of the ongoing debates about monuments and their role in shaping public memory.Gil's approach to using technology as an extension of the self is especially relevant in the digital age, where our relationship with technology is increasingly intimate and complex. Her use of subversive techniques to create 3D models through photogrammetric scanning is a fresh take on the use of technology in art and documentation, demonstrating how technology can be used to challenge dominant narratives and to offer new perspectives on existing objects. Her practice and approach offer a unique and relevant perspective on memory, heritage, and the use of technology in art and documentation. Her work is a testament to the power of artistic expression in confronting social and political issues and preserving the voices of resistance.
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Julieta Gil’s artistic practice and approach hold great relevance in the current social and political context. Her work delves into the relationship between spatial and material memory through various media forms, providing insights into the ways in which collective narratives intersect with imposed ones. Her recent focus on documenting monuments as sites of memory offers a poignant commentary on the current moment of social and political activism, particularly in light of the ongoing debates about monuments and their role in shaping public memory.
Gil’s approach to using technology as an extension of the self is especially relevant in the digital age, where our relationship with technology is increasingly intimate and complex. Her use of subversive techniques to create 3D models through photogrammetric scanning is a fresh take on the use of technology in art and documentation, demonstrating how technology can be used to challenge dominant narratives and to offer new perspectives on existing objects. Her practice and approach offer a unique and relevant perspective on memory, heritage, and the use of technology in art and documentation. Her work is a testament to the power of artistic expression in confronting social and political issues and preserving the voices of resistance.