Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control. Kaplun’s multimedia practice includes drawing, painting, collage, video, and participatory workshops and often evokes a theatrical feeling through poetic images. Kaplun’s work explores the idea of Mexican cultural syncretism and the construction of cultural identity (often instrumentalized by governments) and creates new possibilities in language and representation. A starting point of her research has frequently been the origins of the Mexican Baroque, and the ways in which local crafts and indigenous cultures and its arts have influenced European settlements throughout Mexico’s colonial history.