Katia Kameli is a visual artist and director whose practice is rooted in its research-focused approach. Adopting an anthropological lens, cultural and historical events form the basis for her imaginative projects. In this sense, the artist considers herself a translator. For Kameli, translation is not merely an exchange between two cultures or an act of transmission, it is an expansion of meaning and form. In Kameli’s films translation is used as a tool that has the capacity to undermine binaries and destabilize hierarchical structures, especially concerning notions of authorship and the tenuous relationship between original and copy. Often, revisioning or rewriting narratives is purposefully accentuated in Kameli’s work with the intention of calling attention to the ways in which global history is in fact much more impressionable  and pliant than assumed. Her practice generates critical perspectives on world events, casting such events as mutable and reflexive.