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Li Ming

  • Li Ming creates video, installation, performance and photography that explores the relationships between individuals and society through the lens of their interactions with daily objects and their direct environments. In 2008, Li Ming founded the art collective Double Fly Art Center, known for enacting humorous and anarchic public actions such as staging a mock bank robbery and faking orgasms while getting their feet massaged. The collective’s focus on improvisation, spontaneity and the nonsensical nature of their endeavours have become an important influence for on Li Ming’s practice, who in his recent videos, has relied on his own body to reveal hidden connections between space, time, himself and various social issues he perceives around him. His videos often have a purposefully grainy, shaky, and near amateur quality, reflecting the carefree ethos that defines his practice. Entangled with his playful and experimental approach there are always underlying questions, social investigation and commentary — from the way we interact with technology, to Chinese politics, to spatial and temporal questions.

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Li Ming

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Li Ming creates video, installation, performance and photography that explores the relationships between individuals and society through the lens of their interactions with daily objects and their direct environments. In 2008, Li Ming founded the art collective Double Fly Art Center, known for enacting humorous and anarchic public actions such as staging a mock bank robbery and faking orgasms while getting their feet massaged. The collective’s focus on improvisation, spontaneity and the nonsensical nature of their endeavours have become an important influence for on Li Ming’s practice, who in his recent videos, has relied on his own body to reveal hidden connections between space, time, himself and various social issues he perceives around him. His videos often have a purposefully grainy, shaky, and near amateur quality, reflecting the carefree ethos that defines his practice. Entangled with his playful and experimental approach there are always underlying questions, social investigation and commentary — from the way we interact with technology, to Chinese politics, to spatial and temporal questions.