Known for engaging socio-economic matters as they relate to urban realities, Liu Chuang proposes different understandings of social systems underlying the everyday. Through grim humor and often poetic approach, Liu Chuang often works with ready-mades and interventions across various mediums from video, installation, architecture to performance. Liu Chuang works have integrated social intervention with institutional critique to examine China’s immediate realities, particularly the Shanzhai phenomenon of piracy and plagiarism in mass manufacturing and culture.