Manuel Correa
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Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies. As an artist often working with the visual language of documentary, Correa is critical of the relationship between cinema and the notion of “truth.” His work as a Forensic Architecture researcher also informs his films, which oftentimes feature strong visual data analysis graphics. By moving between intimate shots and data synthesis, the artist creates informative, sympathetic, and powerful films. Correa’s body of work is diverse and internationally recognized. His thorough investigations track transnational post-conflict traumas and draw connections between its subjects globally. For example, his 2018 film La Forma del Presente (The Shape of Now), addresses the search for collective meaning and accountability in the wake of Colombia’s 50-year-long armed conflict. More than anything, Correa’s practice is about the process of creating historical memory, both its promise and its fallibility.
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Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies. As an artist often working with the visual language of documentary, Correa is critical of the relationship between cinema and the notion of “truth.” His work as a Forensic Architecture researcher also informs his films, which oftentimes feature strong visual data analysis graphics. By moving between intimate shots and data synthesis, the artist creates informative, sympathetic, and powerful films.
Correa’s body of work is diverse and internationally recognized. His thorough investigations track transnational post-conflict traumas and draw connections between its subjects globally. For example, his 2018 film La Forma del Presente (The Shape of Now), addresses the search for collective meaning and accountability in the wake of Colombia’s 50-year-long armed conflict. More than anything, Correa’s practice is about the process of creating historical memory, both its promise and its fallibility.