Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment. He began his informal training as an artist in Curitiba, Brazil, interacting with space, form, and working in a diverse array of media. Consistently, de Azambuja’s practice examines the cultural and aesthetic impact of urban space and the influence that Brazilian modernist architecture has on the collective consciousness.