Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement. Aitken created observational paintings that transcribed ubiquitous imagery of still lifes and street views, some from near her parents’ home and others looking out the window of her studio. She typically employed colors reminiscent of everyday objects in ways that rendered her abstracted views of quotidian scenes unfamiliar. Aitken always followed the same routine in building up her paintings, beginning with flat strokes, then adding numerous layers over the course of months or years. Aitken’s paintings are immensely personal, yet approachable because of her use of images from everyday life.