Mathieu Kleyebe Abonnenc

  • Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society. Kleyebe Abonnenc uses video, photography, installation, drawing, and exhibition projects to raise questions about imperial histories and their effects on the former colonies of developed countries. Examining the role of images and representations in the construction of these histories and the identities that result from it, the artist interprets and translates these sources. Kleyebe Abonnenc’s work grapples with why certain things are lost and how to make them exist again. The artist confronts the persistence of politically and culturally charged images in order to replace them with others, and by refusing to show terror while making it palpable, his work reflects on the means of "decolonizing culture”.

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Collection Artworks

Licensed Artworks

Secteur IX B, 2015 (still)
This artwork is licensed by KADIST for its programs, and is not part of the KADIST collection.
ça va, ça va, on continue, 2012 (still)
This artwork is licensed by KADIST for its programs, and is not part of the KADIST collection.
Mathieu Kleyebe Abonnenc

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Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society. Kleyebe Abonnenc uses video, photography, installation, drawing, and exhibition projects to raise questions about imperial histories and their effects on the former colonies of developed countries. Examining the role of images and representations in the construction of these histories and the identities that result from it, the artist interprets and translates these sources. Kleyebe Abonnenc’s work grapples with why certain things are lost and how to make them exist again. The artist confronts the persistence of politically and culturally charged images in order to replace them with others, and by refusing to show terror while making it palpable, his work reflects on the means of “decolonizing culture”.