Michel François’s installation practice is intended to be hybrid; it disguises and manipulates materials and processes from other mediums, including photography, video, sculpture, performance, and drawing. Finding himself without a studio at one point in his career forced François to experiment directly in the exhibition space. Disrupting perception, he creates proliferating installations on site, where order and chaos collide with high and low culture references, appropriation, and the dichotomy between the natural and artificial. François’s work is part of a vast system of analogy, beginning with intimate images or anecdotes that are translated into materials, through modes varying from highly sophisticated to blatantly raw.