Milena Bonilla
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Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions. Her drawings, sculptures, installations, videos, texts, public interventions, and photographs are active investigations into our often-fallible notions of history. The artist’s current practice involves explorations of knowledge interpreted as a workforce, and of nature as an entity colonized by language, consumed on a massive scale through images. For the last decade or so, Bonilla’s work has specifically explored the dichotomy of the Aristotelian categories of physis (nature) and logos (reason). The artist’s impulse to exert control over this relationship results in political armatures that ultimately seek to limit interactions between living systems, and to confront our biases regarding the relationships between thought and action.
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Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions. Her drawings, sculptures, installations, videos, texts, public interventions, and photographs are active investigations into our often-fallible notions of history. The artist’s current practice involves explorations of knowledge interpreted as a workforce, and of nature as an entity colonized by language, consumed on a massive scale through images. For the last decade or so, Bonilla’s work has specifically explored the dichotomy of the Aristotelian categories of physis (nature) and logos (reason). The artist’s impulse to exert control over this relationship results in political armatures that ultimately seek to limit interactions between living systems, and to confront our biases regarding the relationships between thought and action.