Mladen Stilinovic is one of the most significant representatives of neo-avant-garde art in Central and Eastern Europe. His work is nourished by Croatian artists from the previous generation such as Julije Knifer and Mangelos. His polymorphic approach finds varied manifestations from collages, installations, photographs, books, performances, actions in public space as well as participations in collective actions. Through his works, Stilinovic explores ideological signs and their social aspects. Using devices such as irony, paradox, and manipulation, the artist criticizes the language of politics, institutional hierarchy within art, and the role of money and labor in society. Language is central to his aesthetics; he associates it with graphic signs and other visual references to historical movement, such as geometric abstraction. His work is deeply rooted in the rites that reveal the interdependence of private and public spheres. He is particularly interested in the interaction between visual and linguistic signs as well as in the mechanisms of deconstruction in language. Stilinovic was part of Grupa šestorice autora (Group of Six Authors), active in Zagreb between 1975-1979. He also ran the Extended Media Gallery from 1981-1991.