Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris. His work later evolved into video, sculpture, and installation, but remained focused on issues related to immigration and the social-economic processes that lead to integration or exclusion. He describes contemporary society implicitly, by outlining its contours. With a critical take on the mass media image, the subjects of his photographs and videos are people left behind at the crossroads of integration and exclusion. Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation.