Mohammed Kazem (b. Dubai, 1969) has developed an artistic practice, encompassing video, photography and performance as a method for apprehending his varying environments and experiences. The underpinning for Kazem’s artwork is informed by his training as a musician. Exploring light and sound in tangible terms, Kazem is interested in developing processes that render transient phenomena’s. In an attempt to trace the rapid pace of modernization in the Emirates since its founding, Kazem responds to geographical location and the materiality of urban existence through positioning himself within his work as a means to assert his subjectivity. Kazem’s oeuvre is divided into two fundamental aspects, the political and the social. While his work does not follow a strict methodology of representation, Kazem’s continued assessment and assemblement of chance patterns and happenings creates meaning in the maelstrom of modernity.