Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture. Her early paintings and sculptures vectorized architectural and historical elements, deconstructing and reassembling them into new imaginary compositions. Marzouk’s works, while outwardly subtle in their formal minimalism, encrypt a range of signs that deliver pointed commentary on current political issues, including racism, war, sports, nationhood, fossil fuels, and space technology. Her works are a contemplative invite into the realms of the futuristic and the mythological, and are anything but ordinary. Marzouk envisions aesthetic systems that draw on a diversity of cultural traditions but which can only exist in the realm of the imagination. Her paintings and sculptures reassemble disparate architectural elements from history as well as animal and body parts to construct unified compositions. Castles and cathedrals, crenellations and crustaceans, merge together in fluid form. Her compositions, which often float in the centre of a frame, reference post-minimalism, with their hard edges and flat expanses of solid colour.