Phuong Linh Nguyen’s multidisciplinary practice spans video, sculpture and installation. Her practice is concerned with geographic cultural shifts, traditional roots, and the splintered history of Vietnam. Tracing a complex network of ethnicities, religions, and cultural and geo-political influences. Her works contemplate visible versus invisible truths, form and time, and conveys a pervasive sense of alienation, dislocation, and the ephemeral. Nguyen Phuong Linh often travels for field research and to collect artifacts from historical sites of exchange. She transforms these materials in order to construct alternative perspectives and interpretations of fragmented histories, personal narratives, and memories.