Noémie Goudal’s practice exists at the intersection of art, anthropology, ecology and environmentalism. Her work engages with the history of the earth and the impact of humanity on the environment through photography, film, sound, and performance. In making her photographs Goudal travels to remote corners of the world, setting up elaborate constructions to stage her photographs in situ. Her photographs are often composites, flat works that are seen in layers or sequence or where an object assembled out of photographs is suspended in a landscape. From these photographs she also makes films. Goudal is interested in the boundaries between illusion and reality and in the notion of immersive environments. In making her work, the Goudal herself is immersed in a natural environment, then recreates the illusion back in her studio. To that extent, what she creates is perhaps a post-truth landscape.