Since the 1980s, Patricia Belli has been a driving force behind the rise of experimental work in Nicaragua. Belli claims the power of the vulnerable body, its rage, and libidinal energy, as powerful forms of resistance. In Belli’s approach, there is an affirmative yet disenchanted dimension. Affirmative in the sense that she creates work aimed at reconnecting us with our own fragility in order to interpret the world from that position. But also disenchanted in the way that Belli’s work insists on placing us within a social stage of brutality and terror, where we coexist. Against a general state of collective cruelty and senselessness, Belli proposes a practice of mending and healing; a laboratory for the transferal of emotional energy; an extension of empathy. She invents objects that combine a strange mix of joy and disillusion, pleasure and complaint, as if the most important aspect of living is to redefine our way of being in this world.