Patricia Domínguez is one of the most internationally visible Chilean artists of her generation (who continues to live in Chile). She is a self-proclaimed defender of all living beings. In her work she brings together experimental research on ethnobotany and the trans-human, mixed with a uniquely psychedelic aesthetic. Her work is suggestive of empathetic connections across species, and follows a critical inquiry about the transference from colonial times into neoliberal practices of extraction. I met Patricia in Santiago last November, and was impressed by her range of practice—often involving experimental or advanced technology but never about it.