Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad. His work is often the result of precise and simple gestures, which bring about larger ramifications and raise awareness of pressing issues such as immigration, racialization, globalization, colonialism, and its effects in the production and consumption of art in his native Brazil and the Global South. While Nazareth’s work may manifest in video, photography, and found objects, his strongest medium is in cultivating relationships with people he encounters on the road — particularly those who must remain invisible due to their legal status or those who are repressed by governmental authorities. In certain aspects, Nazareth deliberately embodies the romantic ideal of the wandering artist in search of himself and universal truths, to unveil stereotyped assumptions about national identity, cultural history, and so-called “universal values.”