Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan. Her practice is often rooted in the notion of homeland, working closely around the subject of Madjal Shams and the inextricable ties to war, homeland, borders and exile. With formal training in sculpture and etching, Maddah’s work frequently takes the form of realistic depictions of bodies and landscapes, warped by weight of experience, the faces and forms of which are mirrored in her pencil drawings. Maddah also works with video, meditating on the experience of dual exile and attempts to sustain the possibility for return.