Randa Maroufi
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Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them. Questions of reliability and validity are central to her work, as she treads the line between documentary and fiction, as a means of developing a critique of contemporary issues of gender through the lens of the occupation of public space. Her work plays on tropes and fixed scenarios, inverting them to subverting them: women cat calling, women occupying a whole café, domestic tasks given white collar credentials.
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Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them. Questions of reliability and validity are central to her work, as she treads the line between documentary and fiction, as a means of developing a critique of contemporary issues of gender through the lens of the occupation of public space. Her work plays on tropes and fixed scenarios, inverting them to subverting them: women cat calling, women occupying a whole café, domestic tasks given white collar credentials.