Santiago Borja’s work explores improbable connections between different thought systems, thus emphasizing the cannibalistic nature of modernism, and its inherently esoteric, yet seemingly “rational”, character. His collaborations with craftspeople, where dialogue and exchange of ideas define the final outcome, offer a possibility to overlap these different forms of knowledge production, understanding manual work as an expression of codes that are culturally situated. He often intervenes in iconic modernist architecture (Le Corbusier’s Villa Savoye, Richard Neutra’s house, Mies van der Rohe’s Barcelona Pavilion) disrupting its international style, connecting it to other forms of understanding the built environment. He has also explored psychoanalytic theories, especially those of Sigmund Freud, Carl Jung and Jacques Lacan, creating situations where he also explores the non-Western approaches to what we call the unconscious.