The work of Shahryar Nashat (b. 1975, Geneva, Switzerland) is made up of the interwoven fragments of baroque and renaissance sculptures, humour, sensuality and insolence. Practicing largely in installation format, which give prominence to video, include photography, sculpture and etchings, the artist creates new opportunities for critical reflection about the canon of artistic media. With an interest in art collections, libraries, artwork reproductions and archives, Nashat imagines new forms of display through artistic reuse. Combining synthetic forms mediated by organic and man-made representations, the artist’s oeuvre is an examination of the human-body’s interaction with material culture.