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Sheelasha Rajbhandari

  • Sheelasha Rajbhandari is a visual artist, cultural organizer, and co-founder of the artist collective Artree Nepal (founded in 2013) based in Kathmandu. She is interested in exploring alternative and plural narratives through folktales, folklore, oral histories, mythologies, material culture, performance, and rituals and placing them as evidence, along with references to mainstream history and narratives. Her long-term research projects and artistic practice often juxtapose these contradictions and synthesize the knowledge and experiences that result from individual and collective discourses. Through her work, she frequently tries to encounter simple yet socially taboo subject matters, with a focus on women’s struggles, celebrating their resilience. Her recent works explore the current transformation of Nepal from a once important centre for trans-Himalayan trade to a geopolitical situation in flux between the two emerging world powers of India and China. Rajbhandari is very careful about choosing materials and methods that align with her conceptual framework. She prefers mediums and materials that add meaning to ideas and have their own significance. With her partner Hit Man Gurung she works as a cultural organizer in various projects and both are active as co-founders of the artist collective Artree Nepal. Together they also conceived 12 Bishakh - Camp.Hub Post Earthquake Community Art Project, a seminal project carried out in the aftermath of the 2015 Kathmandu Valley Earthquake.

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Sheelasha Rajbhandari

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Sheelasha Rajbhandari is a visual artist, cultural organizer, and co-founder of the artist collective Artree Nepal (founded in 2013) based in Kathmandu. She is interested in exploring alternative and plural narratives through folktales, folklore, oral histories, mythologies, material culture, performance, and rituals and placing them as evidence, along with references to mainstream history and narratives. Her long-term research projects and artistic practice often juxtapose these contradictions and synthesize the knowledge and experiences that result from individual and collective discourses. Through her work, she frequently tries to encounter simple yet socially taboo subject matters, with a focus on women’s struggles, celebrating their resilience. Her recent works explore the current transformation of Nepal from a once important centre for trans-Himalayan trade to a geopolitical situation in flux between the two emerging world powers of India and China. Rajbhandari is very careful about choosing materials and methods that align with her conceptual framework. She prefers mediums and materials that add meaning to ideas and have their own significance.

With her partner Hit Man Gurung she works as a cultural organizer in various projects and both are active as co-founders of the artist collective Artree Nepal. Together they also conceived 12 Bishakh – Camp.Hub Post Earthquake Community Art Project, a seminal project carried out in the aftermath of the 2015 Kathmandu Valley Earthquake.