Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers. Subas often incorporates carving, engraving, as well as various printmaking techniques into his art practice. Much of Tamsaling history is based primarily on oral narrative traditions. Responding to the lack of documentation in his community’s historical legacy, Subas seeks to archive the cultural and social fabrics of his and other communities through art. Tamang is also a member of Artree, an artist collective formed in 2013 with Sheelasha Rajbhandari, Hit Man Gurung, Mekh Limbu, and Lavkant Chaudhary who come from a range of Indigenous communities of Nepal. ??Artree practices art collectively with the belief that it has deep roots in social practice. The mainstream narrative of Nepal and its surrounding region has historically excluded the stories and experiences of numerous disenfranchised Indigenous communities. Artree’s collective and individual practices draw attention to these dogmatic social hierarchies through installations, exhibitions, workshops and events.